---
title: "增集續傳燈錄 · 杭州靈隱石田法薰禪師"
description: "增集續傳燈錄由明代高僧文琇編撰，是禪宗重要史傳著作。該書成書於明初，繼承宋代傳燈錄傳統，增補元代至明初禪師語錄與行狀，記錄臨濟、曹洞等宗派傳承。內容涵蓋高僧機鋒問答、悟道因緣及法脈譜系，展現禪宗“以心傳心”的宗旨。作為續傳燈錄的擴編本，它填補了宋元至明初禪宗史料空白，對研究中國禪宗發展脈絡具有重要價值。文琇嚴謹考證，保存了大量珍貴語錄，被後世視為研究明清禪宗的重要文獻，在佛教史學與禪宗思想領域佔有獨特地位。"
url: "https://rushiwowen.co/en/r/cma8y7f1z1bykl404c0ap0rg5"
---

### ○杭州靈隱石田法薰禪師

> Chan Master Shitian Faxun of Lingyin Temple, Hangzhou

眉山彭氏。生而慧敏。從丹稜石龍山法寶院智明出家。游方至石霜禮雷遷墖。述偈曰。一念慈容元不隔。何須特地肆乖張。平高就下婆心切。惱得雷公一夜忙。師名因是大著。聞破庵道望時在吳門穹窿。遂往依焉。室中舉世尊拈華迦葉微笑。師云焦塼打著連底凍。赤眼撞著火柴頭。庵陰奇之。每於日用語默故起其疑。師於是决志依栖。與無準日相激礪。久之出世蘇之高峰。次遷楓橋普明。行輩有高原泉無相範即庵覺石溪月相依而住。俄鍾山虗席。庿堂以師補處。寶慶初詔遷淨慈。端平二年詔遷靈隱。上堂。一徑直。二周遮。衲僧會得萬別千差。庭前閑放目。春盡尚餘花。老鬍不合過流沙。上堂。大道體寬。無易無難。相頭買帽。此土西天。上堂。識得心。山嶽沉。握金成土。握土成金。脚後脚前。現成行貨。少室峰前交點不過。上堂。石中有玉。沙裏無油。德山臨濟未出常流。却憶寒山子。時臨古渡頭。上堂。見聞覺知行住坐臥。眨上眉毛早是蹉過。赤脚唱山歌。路上無人和。上堂。把定重關。諸人性命在山僧手裏。放開一線。山僧性命在諸人手裏。而今也不把定也不放開。山僧即是諸人。諸人即是山僧。三十年後莫道蔣山和泥合水。上堂。自從胡亂後。三十年不少鹽醬。馬大師滿地狼籍。靈山即不然。自從胡亂後。三十年不少。良久云。衲子難謾。示眾偈曰。劒刃飜身猶是鈍。屋頭問路太無端。楚雞不是丹山鳳。何必臨風刷羽翰。淳祐甲辰三月望日示徒云。但得本。莫愁末。喚什麼作本。喚什麼作末。松栢千年青。不入時人意。牡丹一日紅。滿城公子醉。山僧恁麼道。若有不肯底是我同參。弟子師俊繪師像求讚。有云。末後一句分付厨山。眾頗訝之。師先甞建接待院於西溪曰寶壽。忽示疾。即退居寶壽。趣辨終焉。計囑窆全身于院之後山。端坐而化。壽七十五。臈五十三。

> Master Peng of Meishan was intelligent and sharp from birth. He left home under Master Zhiming at Fabao Cloister on Shilong Mountain in Danleng. Wandering to Shishuang, he paid respects at the stupa of Leiqian and composed a verse: "One thought of kind face was never apart— Why deliberately stir up discord? Leveling high and lowering low, a motherly heart urgent, Teasing Old Thunder into a night of busy work." With this, his fame grew greatly. Hearing of Po'an's renown at Qionglong in Wumen, he went there to rely on him. In the master's room, the story of the World-Honored One holding up a flower and Kashyapa smiling was raised. The master said, "A scorched brick strikes through bottom-stuck ice; a red eye runs into a fire-head." Po'an secretly found this extraordinary and often stirred his doubt in daily speech and silence. Thereupon the master resolved to stay. Together with Wuzhun, he sharpened himself day by day. After a long while, he emerged to teach at Gaofeng in Suzhou, then moved to Puming at Fengqiao. His peers—Gaoyuan Quan, Wuxiang Fan, Ji'an Jue, and Shixi Yue—lived together with him. Soon the seat at Zhongshan fell vacant, and the court appointed the master to fill it. In the beginning of the Baoying era, he was summoned to move to Jingci. In the second year of Duanping, he was summoned to Lingyin. Ascending the hall, he said: "One path is straight; two paths are crooked. A patch-robed monk who understands sees a thousand differences and ten thousand distinctions. Before the courtyard, gaze freely—spring ends, yet flowers remain. The old barbarian should never have crossed the Flowing Sands." Ascending the hall, he said: "The great way's body is vast—no ease, no difficulty. Measuring heads to buy hats—this land or the Western Heavens." Ascending the hall, he said: "If you recognize mind, mountains and peaks sink. Grasp gold and it becomes earth; grasp earth and it becomes gold. Before your feet, behind your feet—ready-made goods. Before Shaoshi Peak, not a hair's exchange of ideas." Ascending the hall, he said: "In stone there is jade; in sand there is no oil. Deshan and Linji never left the ordinary stream. Yet I recall Master Hanshan, often approaching the ancient ferry crossing." Ascending the hall, he said: "Seeing, hearing, perceiving, knowing—walking, standing, sitting, lying. Blink your brows and you've already missed it. Barefoot singing mountain songs—on the road, no one joins in." Ascending the hall, he said: "Hold the heavy gate firm—all your lives are in this mountain monk's hands. Release one thread—this mountain monk's life is in all your hands. Now I neither hold firm nor release. This mountain monk is you; you are this mountain monk. Thirty years hence, don't say that Jiangshan mixed mud and water." Ascending the hall, he said: "Since the chaos, thirty years without lacking salt or sauce. Horse Master left the ground in utter disarray. But at Spirit Mountain, it's not so: since the chaos, thirty years without lack." After a long pause, he said: "Patch-robed monks are hard to fool." A verse for the assembly: "Turning the body on a sword's edge is still dull; asking the way from a rooftop is too offhand. A Chu chicken is no Dan Mountain phoenix—why preen its feathers in the wind?" On the fifteenth day of the third month in the Jiachen year of Chunyou, he told his disciples: "Just get the root; don't worry about the branches. What do you call the root? What do you call the branches? Pine and cypress stay green for a thousand years, but don't suit the times' fancy. Peonies bloom red for a single day, and the whole city's young men get drunk. If anyone here disagrees with this mountain monk's words, that one is my comrade." His disciple Shijun painted the master's portrait and sought praise. In it was written: "The final word is entrusted to the kitchen mountain." Everyone found this quite surprising. The master had previously built a reception lodge at West Creek called Baoshou. Suddenly showing illness, he retired to Baoshou to await the end. He gave instructions to bury his full body on the mountain behind the lodge. He sat upright and passed away at seventy-five, with fifty-three rainy seasons in the monastic life.