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  1. Shakyamuni Emerging from the Mountains Portrait Inscription (釋迦出山𦘕像贊)
  1. Forest Record: Later Collection (林間錄後集)
  2. Shakyamuni Emerging from the Mountains Portrait Inscription (釋迦出山𦘕像贊)
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Forest Record: Later Collection (林間錄後集)

About 林間錄後集

Song · by 慧洪集

6,368 · about 21 min

The Later Collection from the Forest, compiled by the eminent Song dynasty monk Huihong, is an important Chan (Zen) Buddhist work in the note-style genre. Completed in the late Northern Song period, the text records dialogues, koans, and insights on Chan practice from Huihong’s interactions with great masters during his forest retreats. Its content spans Chan philosophy, practical cultivation, and anecdotes of past patriarchs. Written with concise yet profound language and infused with the spirit of the Linji school, the work exerted a deep influence on the spread of Chan Buddhism in the Song dynasty and the development of later Chan thought. It remains a key text for the study of Song Chan history and philosophy and holds a significant place in Buddhist literature.


新編林間後錄
釋迦出山𦘕像贊
秦越人之於醫。望見知生死。老潘之於墨。摸索知精粗。盖其不傳之妙。無地寄語默也。歐陽文忠公曰。小字遺教經雖不著書者之名。然非羲之莫能作也。予閱錢樂道家所蓄釋迦文佛出山像。雖不主名。然非道子不能作。以其筆意之著也。樂道人品甚高。鐵書血食之後。其忱信痛敬所致像之寄寓。決非苟然。拜手稽首為之贊曰。
徧大海味具於一滴。盡法界身足於纖埃。佇思則燈王之坐不能入毗耶之室。斂念則彌勒之門彈指即開。唯我鼻祖釋迦和尚。初出雪山即示此像。以千百億微塵數身。九十七大人之相。頓入筆端三昧。而幻此幅紙之上。垂手跣足頂螺頷絲。超然靜深出三界癡。如浩蕩春寄于纖枝。如清涼月印于盆池。鏤冰琢雪我作贊詞。關空鏁夢夫子其牢畜之。

小字金剛經贊

CBETA Code: X1625

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Copyright: Original texts from CBETA
AI translation for reference only — not authoritative, not a statement of final truth. Awakening of the Dharma requires personal practice.