DonateZen HallLibrary
Skip to main content
  1. 前文
  1. Three Robes Revealing the True Teaching Chart (三衣顯正圖)
  2. 前文
←&→
Use ← → arrow keys to turn pages

Three Robes Revealing the True Teaching Chart (三衣顯正圖)

About 三衣顯正圖

Song · by 妙生述

4,724 · about 16 min

The *Diagram of the Three Robes Revealing the Proper Form*, composed by the eminent Song dynasty monk Miaosheng, is a classic work that elucidates the system of the three robes for Buddhist bhikkhus. This book, presented with both illustrations and text, systematically details the forms, rules for wearing, and symbolic meanings of the kasaya. Its purpose was to correct the prevalent shortcomings within the monastic community regarding robe regulations at the time and to restore the original intent behind the Buddha's establishment of the precepts. The content deeply integrates vinaya (monastic discipline) with spiritual practice, emphasizing the sacredness of the three robes as "field-of-merit garments." They serve as an outward manifestation of a monk's renunciation of worldly dust, fewness of desires, and contentment. This work holds a significant place in the history of Buddhist vinaya studies. It provides a valuable document for researching the thought of the Vinaya school in Song dynasty Buddhism and the transmission of robe systems within Chinese Buddhism, exerting a profound influence on the observance of precepts and practice for later generations.


三衣顯正圖
會稽沙門 妙生 述
三衣顯正圖者由前為之書既曰辨訛今復為之圖以顯正也辨訛顯正雖前後之殊葢同救乎三衣之弊耳或曰子甞以彼出圖為其不然今復自為之圖者豈非抑彼而自揚求勝而好辨耶曰今圖之所以興者以能註之律文事相難曉故書圖以顯所註之義使當世日用之事無晦昧於時人者又誰曰不然但今人以異執為自得乃有六物圖謬傳於世者豈特以彼出圖哉葢出之無益不足以補於行事但誣罔德取惑於時人非謬而何余以聽尋之暇由觀彼圖之未然故甞述六物辨訛之書誠欲救始萌之弊豈有意為今之圖但以彼之訛風尚未能遏故不獲已而復有斯作者非求勝而好辨將欲毆其訛而歸乎正耳。
將釋圖相或文廣略先以義求相從次第束之為十五科然後依圖隨科解釋義須班列為後生起住衣之由致耳。
  • 初示衣財色量
  • 二長短條表法
  • 三刺一邊縵縫
  • 四押葉鳥足縫
  • 五條葉靡左右
  • 六助力揲四角
  • 七四周當安緣
  • 八節角刺卍字
  • 九明破緣三縫
  • 十重作縵刺縫
  • 十一前後綴鈎紐
  • 十二有上揲垢膩
  • 十三辨揲鈎紐處
  • 十四會摘解文
  • 十五畫圖憑肘量
前十二段且欲生起文之次第俾世人觀圖見文為作衣之式不虗設也所以示衣財色量最居首者由作衣諸法所託皆依皆財體如法而生然後三種壞色度身長短義之次第故須先明財體染壞既已如法度身肘量將欲割截必分其長短故長短條表法次二而生長短既彰必先逐條橫刺一邊為其葉相故刺一邊縵縫次三而生橫葉一邊既已縵刺其開一邊者當作鳥足縫而押定之故押葉鳥足縫次四而生隨條刺畢當合諸條次第相押如橫葉刺之之法豎而刺之故條葉靡左右次五而生條葉靡順刺之既已而四角助力準文揲之故助力揲四角次六而生衣相既成猶恐四周有速壞義故四周安緣次七而生四周安緣既已如法當準傳文刺其萬字故節角刺卍字次八而生刺之畢而四周緣尚恐未堅當準他部破緣縫之故破緣三縫次九而生條葉邊緣工已成就尚為單作故重作縵刺縫次十而生簪刺既畢及夫披著必須鈎紐故前後綴鈎紐次十一而生披時挽處受膩必多慮其數浣故辨揲垢膩處次十二也此十二段生起次第以為作衣之倫敘無錯謬之失矣若下二衣單作時則除第十重作縵刺縫但十一科而已其餘三段之文前後無在皆前筆之便葢辨其失有無之義耳。

僧伽棃

CBETA Code: X1103

© AI 帮你读佛经 - 如是我闻

This document is for personal learning only. Do not use for commercial purposes.

Visit rushiwowen.co

Copyright: Original texts from CBETA
AI translation for reference only — not authoritative, not a statement of final truth. Awakening of the Dharma requires personal practice.