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  1. Buddhacarita (佛所行讚)
  2. Volume 1 (第一)
  3. Abandoning Desire Chapter (4 離欲品)
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Buddhacarita (佛所行贊)


佛所行讚離欲品第四

Chapter 4: Renouncing Desire

太子入園林, 眾女來奉迎,
並生希遇想, 競媚進幽誠,
各盡伎姿態, 供侍隨所宜。
或有執手足, 或遍摩其身,
或復對言笑, 或現憂慼容,
規以悅太子, 令生愛樂心。
眾女見太子, 光顏狀天身,
不假諸飾好, 素體踰莊嚴,
一切皆瞻仰, 謂月天子來。
種種設方便, 不動菩薩心,
更互相顧視, 抱愧寂無言。
有婆羅門子, 名曰優陀夷,
謂諸婇女言: 「汝等悉端正,
聰明多技術, 色力亦不常,
兼解諸世間, 隱祕隨欲方,
容色世希有, 狀如王女形。
天見捨妃后, 神仙為之傾,
如何人王子, 不能感其情?
今此王太子, 持心雖堅固,
清淨德純備, 不勝女人力。
古昔孫陀利, 能壞大仙人,
令習於愛欲, 以足蹈其頂。
長苦行瞿曇, 亦為天后壞,
勝渠仙人子, 習欲隨㳂流。
毘尸婆梵仙, 修道十千歲,
深著於天后, 一日頓破壞。
如彼諸美女, 力勝諸梵行,
況汝等技術, 不能感王子?
當更勤方便, 勿令絕王嗣,
女人性雖賤, 尊榮隨勝天。
何不盡其術, 令彼生染心?」
爾時婇女眾, 慶聞優陀說,
增其踊悅心, 如鞭策良馬,
往到太子前, 各進種種術。
歌舞或言笑, 揚眉露白齒,
美目相眄睞, 輕衣現素身。
妖搖而徐步, 詐親漸習近,
情欲實其心, 兼奉大王旨,
慢形媟隱陋, 忘其慚愧情。
太子心堅固, 傲然不改容,
猶如大龍象, 群象眾圍遶,
不能亂其心, 處眾若閑居。
猶如天帝釋, 諸天女圍繞,
太子在園林, 圍繞亦如是。
或為整衣服, 或為洗手足,
或以香塗身, 或以華嚴飾。
或為貫瓔珞, 或有扶抱身,
或為安枕席, 或傾身密語。
或世俗調戲, 或說眾欲事,
或作諸欲形, 規以動其心。
菩薩心清淨, 堅固難可轉,
聞諸婇女說, 不憂亦不喜。
倍生厭思惟, 嘆此為奇怪,
始知諸女人, 欲心盛如是。
不知少壯色, 俄頃老死壞,
哀哉此大惑, 愚癡覆其心。
當思老病死, 晝夜勤勗勵,
鋒刃臨其頸, 如何猶嬉笑?
見他老病死, 不知自觀察,
是則泥木人, 當有何心慮?
如空野雙樹, 華葉俱茂盛,
一已被斬伐, 第二不知怖。
此等諸人輩, 無心亦如是。
爾時優陀夷, 來至太子所,
見宴默禪思, 心無五欲想,
即白太子言: 「大王先見勅,
為子作良友, 今當奉誠言。
朋友有三種, 能除不饒益,
成人饒益事, 遭難不遺棄。
我既名善友, 棄捨丈夫義,
言不盡所懷, 何名為三益?
今故說真言, 以表我丹誠。
年在於盛時, 容色德充備,
不重於女人, 斯非勝人體。
正使無實心, 宜應方便納,
當生軟下心, 隨順取其意。
愛欲增憍慢, 無過於女人,
且今心雖背, 法應方便隨。
順女心為樂, 順為莊嚴具,
若人離於順, 如樹無花果。
何故應隨順? 攝受其事故,
已得難得境, 勿起輕易想。
欲為最第一, 天猶不能忘,
帝釋尚私通, 瞿曇仙人妻。
阿伽陀仙人, 長夜脩苦行,
為以求天后, 而遂願不果。
婆羅墮仙人, 及與月天子,
婆羅舍仙人, 與迦賓闍羅,
如是比眾多, 悉為女人壞,
況今自境界, 而不能娛樂?
宿世殖德本, 得此妙眾具,
世間皆樂著, 而心反不珍?」
爾時王太子, 聞友優陀夷,
甜辭利口辯, 善說世間相。
答言優陀夷: 「感汝誠心說,
我今當語汝, 且復留心聽。
不薄妙境界, 亦知世人樂,
但見無常相, 故生患累心。
若此法常存, 無老病死苦,
我亦應受樂, 終無厭離心。
若令諸女色, 至竟無衰變,
愛欲雖為過, 猶可留人情。
人有老病死, 彼應自不樂,
何況於他人, 而生染著心?
非常五欲境, 自身俱亦然,
而生愛樂心, 此則同禽獸。
汝所引諸仙, 習著五欲者,
彼即可厭患, 習欲故磨滅。
又稱彼勝士, 樂著五欲境,
亦復同磨滅, 當知彼非勝。
若言假方便, 隨順習近者,
習則真染著, 何名為方便?
虛誑偽隨順, 是事我不為,
真實隨順者, 是則為非法。
此心難裁抑, 隨事即生著,
著則不見過, 如何方便隨?
處順而心乖, 此理我不見。
如是老病死, 大苦之積聚,
令我墜其中, 此非知識說。
嗚呼優陀夷, 真為大肝膽。
生老病死患, 此苦甚可畏,
眼見悉朽壞, 而猶樂追逐。
今我至儜劣, 其心亦狹小,
思惟老病死, 卒至不預期。
晝夜忘睡眠, 何由習五欲?
老病死熾然, 決定至無疑,
猶不知憂慼, 真為木石心。」
太子為優陀, 種種巧方便,
說欲為深患, 不覺至日暮。
時諸婇女眾, 伎樂莊嚴具,
一切悉無用, 慚愧還入城。
太子見園林, 莊嚴悉休廢,
伎女盡還歸, 其處盡虛寂,
倍增非常想, 俛仰還本宮。
父王聞太子, 心絕於五欲,
極生大憂苦, 如利刺貫心。
即召諸群臣, 問欲設何方?
咸言非五欲, 所能留其心。

The prince entered the garden grove, And many maidens came to greet him. Each hoping for his favor, They vied in offering their charms, Displaying every art and grace, Attending to his every wish. Some held his hands or feet, Some caressed his body, Some spoke and smiled to him, Some feigned a look of sorrow— All to please the prince, To stir his heart with love.

When the maidens saw the prince, His radiant face like a heavenly being, Needing no adornment, His natural form surpassing all adornment, They all gazed up at him, Thinking the moon-god had come. Yet despite their many arts, The Bodhisattva’s mind remained unmoved. They glanced at one another, Ashamed and silent.

A Brahmin’s son named Udayin Said to the maidens: “You are all beautiful, Clever and skilled, Your charm and vigor unmatched, And you know the secret ways of the world. Your beauty is rare in this world, Like that of celestial princesses. Even gods would leave their consorts, Immortals would be captivated— How can a mortal prince Remain untouched by your charms? Though this prince’s heart is firm, His virtue pure and complete, He is no match for a woman’s power. In ancient times, Sundarī Seduced the great sage, Making him succumb to desire, Trampling his head with her feet. The long-ascetic Gautama Was also ruined by a heavenly nymph; The sage’s son, superior to all, Fell into the stream of desire. The Brahmin sage Viśvāmitra Cultivated the Way for ten thousand years, Yet deeply attached to a heavenly nymph, Was destroyed in a single day. If such beauties could overcome ascetics, How much more should your arts Move the prince’s heart? Strive with greater skill, Lest the royal line be cut off. Though a woman’s nature may be low, Her glory can rival a god’s. Why not use all your arts To stir desire in his heart?”

Hearing Udayin’s words, The maidens felt encouraged, Like a good horse spurred on. They approached the prince, Offering every art: Singing, dancing, talking, laughing, Raising eyebrows, showing white teeth, Glancing with lovely eyes, Light robes revealing fair skin. Swaying as they walked slowly, Pretending closeness, feigning intimacy, Their hearts filled with desire, And obeying the king’s command, They cast aside modesty and shame, Forgetting all restraint.

But the prince’s heart remained firm, Unmoved, unchanged in expression, Like a great elephant king Surrounded by a herd, Unyielding in his mind, At ease amid the crowd. Like Lord Indra Surrounded by celestial maidens, So was the prince in the garden, Encircled by these women. Some straightened his clothes, Some washed his hands and feet, Some anointed him with perfume, Some adorned him with flowers. Some hung garlands on him, Some embraced or held him, Some prepared his bed, Some whispered intimately. Some teased in worldly ways, Some spoke of sensual pleasures, Some acted out desires, All hoping to stir his heart.

But the Bodhisattva’s mind was pure, Steadfast, unshakable. Hearing the maidens’ words, He felt neither sorrow nor joy. Instead, his disgust grew stronger, And he marveled at this strangeness: Now he saw how women’s Desire burns so fiercely. They do not know that youthful beauty Soon decays with age and death. Alas, this great delusion! Ignorance veils their minds. One should reflect on age, sickness, and death, Striving diligently day and night. With a blade at one’s neck, How can one still laugh and play? Seeing others age, sicken, and die, Yet failing to examine oneself— Such a person is like wood or clay, What mind can they possess? Like twin trees in an empty field, Both lush with leaves and flowers: If one is cut down, The other feels no fear. These people are just the same, Mindless, unaware.

Then Udayin came to the prince, Seeing him serene in meditation, Free from thoughts of desire. He said to the prince: “The king commanded me To be your good friend, So now I offer sincere advice. A friend does three things: Removes harm, Brings benefit, And does not abandon in difficulty. Since I am called a good friend, To abandon a man’s duty, To withhold what should be said— How could that be of benefit? So now I speak plainly, To show my true heart. You are in the prime of youth, Your appearance and virtue complete. Not valuing women Is not the mark of a superior man. Even if your heart is not in it, You should skillfully accept them. Cultivate a gentle, humble mind, Yield to their wishes. Nothing increases desire and pride More than women. Even if your heart resists now, By custom you should skillfully comply. Yielding to a woman’s heart brings joy, Yielding is an ornament. If one turns away from yielding, It is like a tree without fruit. Why yield? To win her over. Having gained what is hard to gain, Do not take it lightly. Desire is the foremost thing; Even gods cannot forget it. Indra himself secretly lay With the wife of the sage Gautama. The sage Agastya Long practiced asceticism, Seeking a heavenly nymph, Yet his wish went unfulfilled. The sage Bharadvāja, And the moon-god, The sage Vālmīki, And the sage Kapila— Many such as these Were ruined by women. How much more should you, In your own domain, find delight? Through past virtues you gained This wonderful assembly. All the world delights in it, Yet your heart does not treasure it.”

Then the prince, hearing his friend Udayin With sweet words and clever speech Skillfully describe the ways of the world, Replied: “Udayin, I am moved by your sincere words. Now I will speak to you; Listen carefully. I do not scorn fine pleasures, Nor am I unaware of worldly joys. But seeing the mark of impermanence, My heart turns away in weariness. If these things lasted forever, Without age, sickness, or death, I too would enjoy them, Never tiring of them. If women’s beauty Never faded or changed, Though desire brings suffering, It might still be worth indulging. But people age, sicken, and die— They themselves find no joy in it. How then can others Feel attachment to them? The impermanent objects of the senses, And one’s own body as well— To feel delight in them Is no different from beasts. The sages you cited, Those attached to sensual pleasures— They are to be pitied, Worn down by desire. And those you call superior, Who delight in sensual pleasures— They too are worn down; Know that they are not superior. If you say one should skillfully yield, Drawing near while pretending— Once near, true attachment arises; How can that be called skillful? False, deceitful compliance— This I will not do. True compliance Would be wrong. This mind is hard to restrain; Engaging with things, it clings. Once clinging, it sees no fault— How then can one skillfully yield? To be outwardly compliant while inwardly opposed— This principle I do not accept. Age, sickness, and death— This great mass of suffering Would pull me down into it. This is not a friend’s counsel. Alas, Udayin, You are truly bold! Birth, age, sickness, and death— This suffering is dreadful. Seeing all things decay, Yet still chasing after pleasure— Now I am weak and inferior, My heart narrow and small. Reflecting on age, sickness, and death, Which come suddenly, unforeseen, How can I, forgetting sleep day and night, Indulge in sensual pleasures? Age, sickness, and death burn fiercely, Inevitably approaching. Not to feel sorrow and fear— That truly is a heart of wood or stone.”

The prince, for Udayin’s sake, With various skillful means, Explained the deep danger of desire, Until the day drew to a close. Then the maidens, with their music and adornments, Found all their arts useless. Ashamed, they returned to the city. The prince saw the garden grove, Its adornments now stilled, The maidens all gone, The place empty and quiet. His sense of impermanence deepened, And he bowed, returning to the palace.

The king heard that the prince’s heart Had turned away from sensual pleasures, And he felt great sorrow and pain, As if pierced by a sharp thorn. He summoned his ministers, Asking what could be done. They all replied: “It is not sensual pleasures That can hold his heart.”


3 厭患品
5 出城品

CBETA Code: T0192

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