---
title: "平山堂圖志 · 平山堂小志序"
description: "平山堂圖志由清代趙之璧編撰，是一部記錄江蘇揚州平山堂及周邊佛教景觀的專志。該書成於乾隆時期，詳載平山堂的歷史沿革、建築布局、文物古蹟及相關詩文軼事。內容融合佛教寺院與文人雅集傳統，展現清代江南佛教與文化的交融。作為地方佛教史志的重要文獻，它為研究清代佛教建築、地域文化及士人佛教信仰提供了珍貴史料，在佛教地理志中具有獨特地位。"
url: "https://rushiwowen.co/en/r/cmgn4ay630urgk1046ha0ddj6"
---

### 平山堂小志序

> Preface to the Brief Record of Pingshan Hall

程夢星

揚州，名勝之地，自昔有聞而平山堂者，肇始於歐陽。文忠厥名特振，顧由廢興不一山堂之勝槩，與歷代之盛衰。編摩記載，卒無其人。予嘗嘅焉，欲有所論。夫蘭亭之址，發皇於右軍；虎阜之墅，維珣及珉。鄧尉因於鄧禹焦巖，著自焦先。有子美之幽寄，乃留蹤滄浪之濱。有和靖之棲遁，而后孤山之跡以存。凡此類者，雖一山一水，咸藉淹雅之上，薈萃於篇。所以前人之流風，餘韻不致鬱湮後之覽者，亦足以當夫遊般。矧斯堂也，極盛於慶歷之際，折花命酒，讌集朋賓，歐公往而劉公至一時，風景依然。迨東坡三過，尤寄意殷勤，南渡已後，戰壘雲屯，基傾草鞠，樵牧紛紜，元明之代低佪，憑弔者惟徒感歎于荊榛。洎我熙朝，賢守高士，經營修復，踵事維新。聖人南狩翠華時廵。騰六飛而來幸，灑宸翰以寵頒。於是山靈獻媚，竹樹增妍，詩歌盈耳，遊賞摩肩。此則近事之有徵者，又曷可以閟而無傳。至於訪棲靈之舊塔，辨大明之芳泉，眺摘星之傑峙，尋蜀岡之蜿蜒，春貢之亭足考，竹西之路可循。是皆有須綴輯以補圖。經之未全，予竊有懷，于此而愧，塵俗相牽。爾廼操觚，勒成一編，趂十旬之休暇彚今昔以流連庶騁懷遊目者于此，其有取旃。

> Yangzhou is a place of renowned scenic beauty, celebrated since ancient times. Among its famous sites is the Pingshan Hall, first established by Ouyang Xiu, whose literary fame gave the hall its lasting reputation. However, the hall's fortunes have fluctuated with the rise and fall of dynasties. No one has yet compiled a comprehensive record of its splendor and the historical shifts it has witnessed. I have often lamented this and wished to write something about it. Consider how the Orchid Pavilion site was brought to prominence by Wang Xizhi, and the Tiger Hill estate by Wang Xun and Wang Min. Dengwei Mountain owes its fame to Deng Yu, and the Jiaoyan cliffs to Jiao Xian. It was Su Shunqin's poetic retreat that left lasting traces on the banks of Canglang, and Lin Bu's reclusive life that preserved the heritage of Solitary Hill. In all such cases, even a single mountain or stream gains renown through the refined scholars who gathered there and celebrated it in their writings. This is how the legacy of past masters is kept alive, so that later visitors can appreciate and enjoy these places as if strolling through them themselves. This hall, in particular, reached its zenith during the Qingli era, when flowers were gathered and wine poured for gatherings of friends. After Ouyang Xiu departed, Liu Ban arrived, and the scenery remained unchanged for a time. Later, when Su Dongpo passed through three times, he paid particular homage to the site. After the Song court crossed south of the Yangtze, war camps crowded the landscape, the foundations tilted, and weeds overran the grounds. Woodcutters and herdsmen wandered freely, and during the Yuan and Ming dynasties, those who came to pay respects could only sigh amidst the brambles. In our current dynasty, wise administrators and noble scholars have undertaken restoration efforts, renewing and improving the site. When the Emperor made his southern tours, his imperial carriage graced the area. He flew his six-horse chariot in visitation, and bestowed imperial calligraphy as a mark of favor. Thereupon, the mountain spirits presented their beauty, bamboos and trees grew more splendid, poetry filled the air, and visitors thronged shoulder to shoulder. These are recent events that bear clear testimony, and how could they be left unrecorded and lost to memory? As for visiting the ancient pagoda of Qiling, discerning the fragrant spring of Daming, gazing at the towering Star-Picking Tower, or tracing the winding path of Shugang—the Spring Tribute Pavilion offers a place for reflection, and the Bamboo West Road provides a route to follow. All these deserve to be compiled to supplement what the local gazetteers have not fully covered. I have privately cherished such thoughts, but felt ashamed that worldly concerns have held me back. Now I take up my brush and compile this volume, using my hundred days of leisure to weave together past and present, so that those who come to roam and gaze may find something worthwhile here. May this work indeed prove useful to them.