四分律序
Preface to the Four-Part Vinaya
夫戒之興,所以防邪檢失,禁止四魔、超世之道,非戒不弘,斯乃三乘之津要、萬善之窟宅者也。然群生愚惑、安寢冥室,宛轉四流、甘履八苦,開惡趣之原,杜歸真之路,遊遊長夜,莫能自覺。時有出家庶幾玄微者,徒懷遠趣,迷於發足。是以如來,悼群瞽之無目、覩八難以增哀,開戒德之妙門、示涅槃之正路,始於毘耶離初結茲戒,凡有二百五十八篇。以此七罪科分,昇降相從、輕重位判,斯皆神口之所制、禍福之定楷者也。然律藏淵曠,卷舒無常,略而至三、廣則無量,此二百五十,蓋因時人之作也,足以啟曚、足以階道,三寶之隆以之為盛,先聖之道斯為美矣!
The establishment of precepts serves to prevent wrongdoing and correct misconduct, to restrain the four kinds of demons, and to surpass the worldly path. Without precepts, this path cannot be realized; they are the essential gateway to the three vehicles and the dwelling place of all virtues. However, ordinary beings, ignorant and deluded, slumber in the dark, tossed about by the four currents, willingly enduring the eight kinds of suffering. They open the door to evil destinies and block the path to returning to truth, wandering through the long night without awakening themselves.
At times, there are those who renounce the world, aspiring to subtle and profound truths. But though they harbor lofty intentions, they are lost when taking the first step. Therefore, the Tathagata, moved with compassion for the blind who lack vision, and sorrowful at the eight difficulties, opened the wonderful gate of precept virtue, revealing the correct path to Nirvana. Beginning at Vaishali, he first laid down these precepts, totaling two hundred and fifty-eight articles. These are divided into seven categories of offenses, arranged according to their gravity, establishing clear distinctions between light and heavy. All are decreed by the sacred mouth and are the fixed standards for blessings and calamities.
Yet the treasury of monastic rules is vast and profound, expanding and contracting without fixed form: in brief it is threefold, in breadth it is limitless. This collection of two hundred and fifty precepts was composed in response to the needs of the time. Sufficient to open the minds of the ignorant, sufficient to serve as a stepping-stone to the path, the flourishing of the Three Jewels owes its greatness to this. The way of the ancient sages is indeed perfected here!
自大教東流,幾五百載,雖蒙餘暉,然律經未備,先進明哲,多以戒學為心。然方殊音隔,文義未融,推步聖蹤,難以致盡,所以怏怏終身,西望歎息。暨至壬辰之年,有晉國沙門支法領,感邊土之乖聖、慨正化之未夷,乃亡身以俎險、庶弘道於無聞,西越流沙,遠期天竺,路經于闐,會遇曇無德部體大乘三藏沙門佛陀耶舍,才體博聞,明鍊經律,三藏、方等皆諷誦通利,即於其國廣集諸經,於精舍還,以歲在戊申始達秦國。秦主姚欣然,以為深奧冥珍嘉瑞,而謂大法淵深濟必由戒,神眾所傳不可有闕,即以其年重請出律藏。時集持律沙門三百餘人,於長安中寺出,即以領弟子慧辯為譯校定,陶鍊反覆,務存無朴,本末精悉,若覩初制。此土先所出戒,差互不同,每以為惑。以今律藏檢之,方知所以;蓋由大聖遷化後,五部分張,各據當時所聞,開閉有以。於是師資相傳,遂使有彼此之異,會曩推之,雖復小小差互,終歸一本。何以明之?如《薩婆多部律》著涅槃僧、著三衣,分為多名,餘部亦爾。此律藏,總為一名,齊整而已。高下參差,乃是齊整之義說。以是推之,五部之差麁,亦可領想,諸尋求不以為惑。今律藏畫然,正教明白、可以濟神、可以無惑。而今之學者,多修文飾之印,不以戒學為先,由使佛藏有鳥鼠之喻、眾集有猨猴之況,斯之苦切亦以極矣!凡我之徒,宜各勗勵,明慎執持,令大法久住焉!
Since the Great Dharma spread eastward, nearly five hundred years have passed. Although its remaining radiance has reached us, the Buddha's precepts and scriptures have not yet been fully established. The wise and enlightened ones of earlier times all focused their minds on the study of precepts. However, due to differences in regions and language barriers, the meaning of the texts remained unintegrated. They tried to trace the footsteps of the Sage, but found it difficult to reach completion. Thus, they spent their lives feeling discontent, looking westward and sighing.
Then, in the year Renchen, there was a monk from the Jin kingdom named Faling. He felt troubled that the border regions were cut off from the Sage and lamented that the true Dharma had not yet spread. Risking his life to traverse dangerous terrain, hoping to propagate the Dharma in places where it had never been heard, he journeyed westward across the shifting sands, aiming for the distant land of India. On his way, he passed through Khotan, where he met the Dharmaguptaka monk Buddhayaśas—a treasure of the Great Vehicle, well-versed in the Tripitaka and learned in both scriptures and precepts. This master had thoroughly memorized and could fluently recite the Tripitaka and the teachings of the Mahayana. Faling then gathered numerous scriptures in that country. After returning to the monastery, he finally arrived in the Qin kingdom in the year Wushen. The ruler of Qin, Yao, was overjoyed, seeing this as a profound and mysterious treasure of auspiciousness. He declared that the vast and profound Dharma must be transmitted through precepts, and that the traditions passed down by the spiritual assembly must not be incomplete. That very year, he honored the request to have the Vinaya Pitaka translated.
At that time, over three hundred monks specialized in the Vinaya were gathered at the Zhongsi Monastery in Chang'an to produce the translation. Faling’s disciple Huibian served as the translator and editor, repeatedly refining the work, striving to preserve its authenticity without being rough or careless. The result was thorough and precise, as if one were seeing the original teachings themselves. Previously, precepts that had been transmitted in this land differed and conflicted with each other, often causing confusion. Now, by examining this Vinaya Pitaka, we can understand the reasons for these discrepancies. It happened because, after the Great Sage passed into Nirvana, the five schools split apart. Each school held onto what its own teachers had heard at that time, leading to variations in what was allowed and what was prohibited. Through generations of master-disciple transmission, these differences gradually emerged. Yet, when we trace them back, although there are minor divergences, they ultimately stem from a single source. How can we prove this? Take, for example, the *Sarvāstivāda Vinaya*; it discusses the undergarment and the three robes under many different names. Other schools are similar. But this Vinaya Pitaka gives them a single general name, simply for the sake of uniformity. Differences in high and low are merely explanations of what uniformity means. From this we can infer that the differences among the five schools are coarse and rough, but we can still grasp their meaning. Those who seek should not be confused by this. Now, this Vinaya Pitaka is clear and distinct. The true teaching is plain and bright. It can nourish the spirit and dispel confusion.
But the scholars of today often devote themselves to ornate literary decoration, not taking the study of precepts as their priority. This is why the Buddha’s treasury has been compared to birds and rats, and why the assembly has been likened to monkeys. These sharp criticisms have gone as far as they can go! All of us followers should each strive to be diligent, clearly mindful, and steadfast in our practice, so that the Great Dharma may long endure!
四分律卷第一(初分之一)
Dharmaguptaka Vinaya, Volume 1 (Fascicle 1, Part 1)
姚秦罽賓三藏佛陀耶舍共竺佛念等譯