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  1. The Third Dunhuang Manuscript of Master Shenhui's Recorded Sayings: Nanyang Master's Dialogues on Various Questions (Collected by Liu Cheng) (神會和尚語錄的第三個敦煌寫本:南陽和尚問答雜徵義(劉澄集))
  2. 三、神會和尚的五更轉曲子
  3. (2) One Song of the Five Watches ((二)五更轉一首)
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The Third Dunhuang Manuscript of Master Shenhui's Recorded Sayings: Nanyang Master's Dialogues on Various Questions (Collected by Liu Cheng) (神會和尚語錄的第三個敦煌寫本:南陽和尚問答雜徵義(劉澄集))


(二)五更轉一首
倫敦大英博物館 S. 6083 殘紙。題「五更轉一首。」此紙雖殘,但殘存的字句最接近巴黎的 P. 2045 卷子的五更轉,可供校勘。
一九六〇、三、十一,胡適
□□□。□□□□□異居。迷則真如是妄相,悟則妄相是真□,□□□,□□□。見本性,等空虛。有作有求非解脫,無(下闕)
二更催。大圓寶鏡鎮安臺。眾生不了□□□,□□□□心不開。本自淨,沒塵埃。无染着,絕輪迴。諸□□□□□□,□觀實相見如來。
三更侵。如來智惠本幽□。□□□□□□□,聲聞緣角(覺)不知音。處山谷,住禪林。入□□,□□□。□□□□八萬劫,只為擔麻不重金。
四更蘭。□□□□□□□。看則住心□□意,作意還同妄相團。放
(下闕)

(一)荷澤寺神會和尚五更轉兩首
(三)五更轉兩本

CBETA Code: B0143

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Copyright: Original texts from CBETA
AI translation for reference only — not authoritative, not a statement of final truth. Awakening of the Dharma requires personal practice.